In this chapter, we meet an author who writes about his inability to remember the names and references he needs to publish and become an accepted part of an acclaimed academic field. Now, at some age, he is finally finding his voice and indulges in performative writing on whatever topic he feels like and believes is important. He argues that staying true to yourself might be an excellent coping strategy in academia. A flaw might not so much be a flaw, but, rather, something unique that you can turn into a strength to build upon. As for references, he suggests a sneaking-in strategy, where we in this text count twelve. Not bad, not bad at all.